By Victoria Pitts
The Nineties observed the dramatic upward push of wonderful types of physique amendment, which integrated the tattoo renaissance and the increase in physique piercing, the emergence of neo-tribal practices like scarification and flesh placing, and the discovery of recent, high-tech different types of physique artwork like subdermal implants. This booklet, in accordance with years of interviews with physique modifiers during the usa, is either sympathetic and demanding and offers the main entire examine this phenomenon. From punk rock to "modern primitives," from queer sadomasochism to cyberpunks, sociologist Victoria Pitts offers perception into the complete variety of physique amendment subcultures. no matter if via turning themselves into woman punks, neo-tribal "primitives" or technological know-how fiction cyborgs, physique modifiers are engaged within the venture of "reclaiming" their our bodies from the computer of contemporary lifestyles. Pitts explores the connections among physique amendment and modern struggles over intercourse and gender, and common attitudes approximately identification, intake, and the body.
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The Nineteen Nineties observed the dramatic upward push of fabulous types of physique amendment, which integrated the tattoo renaissance and the increase in physique piercing, the emergence of neo-tribal practices like scarification and flesh putting, and the discovery of recent, high-tech types of physique artwork like subdermal implants. This e-book, in accordance with years of interviews with physique modifiers through the usa, is either sympathetic and important and offers the main complete examine this phenomenon.
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Extra info for In the Flesh: The Cultural Politics of Body Modification
The body, then, is positioned in multiple ways, including as a site for establishing identity that is read by the self and others; as a space of social control and social investment; and as an ever-emerging, unfinished materiality that gains meaning through various forms of symbolic representation and material practice. SITUATING BODY ART IN POST-ESSENTIALIST THEORY From post-essentialist perspectives, the historic and geographic diversity of bodies and body practices point not only to the body’s shaping by and through cultural practices, but also to the impossibility of a natural model of the body.
Post-essentialist theories of the body, expressed in cultural studies, feminism, postmodernism, poststructuralism, and other areas of thought, reject the notion that there is an “essential,” proper, ideal body. Instead, the body, along with social laws, nature, and the self, is seen as always open to history and culture, and always negotiable and changing. Instead of one truth of the body or of ontology, there are competing truths that are productions of time, place, space, geography, and culture.
5 In the mental health use of the term, the “self-mutilated” body expresses a suffering self. 6 Body modifiers are depicted as more psychopathological than other groups, and body modification practices themselves are compared to widely recognized forms of self-injury. 7 These comparisons seem quite obvious to some critics of body modification. As The Guardian describes, Two psychologists who have worked with anorectics readily see the connections between all these forms of body modification. ” .