By Jonathan Gray, Derek Johnson
A spouse to Media Authorship deals 28 groundbreaking chapters which examine the practices, attributions, and meanings of authorship. Revitalizing the learn inside media and cultural experiences, this various and international assortment presents the definitive paintings at the subject.
Rethinks cultures of authorship and demanding situations the idea that of auteurism throughout a number of media forms
Moves past notions of the person to target how authorship is collaborative, contested, and networked, interpreting cultures of authorship and the practicalities of ways it works
Draws at the state-of-the-art learn of students and practitioners whose paintings has produced major new insights into the field
Examines quite a lot of media, together with tv, social media, radio, videogames, transmedia, tune, and comedian books
Offers a magnificent international concentration, together with items on Mexican track, beginner movie construction in Nairobi slums, tele-serial creation in Kinshasa, Hong Kong movie, and the promoting of Bollywood
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Extra resources for A Companion to Media Authorship
More typical was the generally hostile reaction when he was sentenced to a token fine and costs rather than doing 6 months in chokey. ’’61 Despite its editorial line, Vogue remained institutionally tight-lipped. A reporter for New York magazine canvassed reactions from, among others, Vogue’s photo director Ivan Shaw: Q: What was the mood in the Vogue office today with the Galliano verdict? A: I couldn’t tell you. Q: Is the magazine planning on addressing the story? 62 The rest, as Shakespeare knew, is silence.
You know, in life, there’s perfume and there’s cologne,’ he told her. ‘Cologne, you have to spray every fifteen minutes. Perfume, you put a drop and it lasts a week. ’67 Here we encounter another kind of ‘‘authorship’’ – Bowles’ rather free rendition of words from a book that Testino had published. Bowles recasts Testino’s personal anecdote into the form of an interview with himself. ’’68 In Taschen’s online blurb, this line goes to Kate Moss herself, who reports: ‘‘He was the first to say ‘Oh, she’s quite sexy.
30 John Hartley ‘‘The author’’ is but one part of this industrialized system, and an abstract one at that, because the sign of the author (the name on the cover) works not to identify a corporeal person but as a branding device for a specific market niche. Act II. No-One is an Author ‘‘The author is the principle of thrift in the proliferation of meaning,’’ Michel Foucault28 Turning from early modern to ‘‘late modern’’ society, but staying with popular entertainment, we must also turn from the written word to pictorial publications like magazines, audiovisual forms like film, TV, and digital media, and non-literary genres such as news, science, the movies, and games.