By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans
An incredible venture started in 1973 reaches its end with the e-book of volumes 15 and sixteen of the Biographical Dictionary, a sequence thought of "a reference paintings of the 1st order" via Theatre and appearing Arts Collections.Among performers highlighted in those final volumes is Catherine Tofts, a proficient singer whose renowned acclaim used to be captured in strains by way of Samuel Phillips: "How are we pleas’d whilst beauteous Tofts appears, / To scouse borrow our Souls via our attentive Ears?’ / Ravish’d we hearken to th’ inchanting music, / And seize the falling Accents from her Tongue." the 1st singer of English delivery to grasp the shape of Italian opera, Tofts usually gained major roles over local Italian singers. Her salary—?400 to ?500 a season—was one of many maximum within the theatre. Her acceptance declined, despite the fact that, as her calls for for money increased—a state of affairs captured in an epigram Alexander Pope could have penned: "So shiny is thy attractiveness, so fascinating thy music, / As had drawn either the beasts and their Orpheus along; / yet such is thy avarice, and such is thy delight, / That the beasts should have starved, and the poets have died."John Vanbrugh, whose play The Relapse is ranked as the best comedies of the recovery interval, grew to become a subordinate crown architect less than Sir Christopher Wren in 1702. In 1703, Vanbrugh all started plans for the Queen’s Theatre within the Haymarket, an firm recommended through the equipment Cat membership (of which Vanbrugh was once a member). even supposing his lavish layout was once acoustically faulty, restructuring helped right the matter and the theatre ultimately grew to become the unique middle for opera in London.
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Extra info for A Biographical Dictionary of Actors, Volume 15, Tibbett to M. West: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800
The Society granted him £3 for medical aid on 6 March 1831. Jackson's Oxford Journal of 19 May 1832 reported that Tibet had died on 16 May at Headington at the age of 77. The obituary notice declared that Tibet had been in the service of the late Duke of Marlborough for 48 years. Tice, Mr [fl. 17951800], house servant. The Drury Lane accounts and benefit bills mention Mr Tice, one of the house servants, from 5 June 1795 to 14 June 1800. Tickell, Mrs Richard the first. See LINLEY, MARY. Tidd, Mr [fl.
For each performance), and she wanted the money before the curtain went up. She would make up any missed performances at a later date. She was to be provided a harpsichord accompanist and "that Roome called the Practicing Roome to Dress in," with two women dressers. " She would not be obliged to sing more than twice in one day. Finally, she demanded a benefit on 19 February. How many of those demands were met cannot be determined; she did not get the benefit she asked for on 19 February 1706, and, in fact, the bills do not show any benefit for her that spring, so she may have had to settle for far less than she wanted.
Tillemans was buried at Stow Langtoft, near Bury St Edmunds. A portrait of Peter Tillemans holding a palette and brushes was engraved by T. Chambers, after H. Hysing, and published as a plate to Walpole's Anecdotes, 1762. Tilley, Samuel [fl. ], violist? , violist, probably) and a music engraver. Tilley was a member of the Handelian Society and performed in the oratorios at Covent Garden Theatre and in the Handel concerts at Westminster Abbey. Humphries and Smith in Music Publishing in the British Isles list the music engraver S.